Pasolini took a risk with Salò, and, for that, we must love him. He dared to combine a number of impulses (some personal) in a way that would leave him open to charges of irresponsibility, provocation and misjudgment. Indeed, even his death (in the weeks after completing the film) is still shrouded in mystery, many believing he was ‘killed off’ by certain political machinations… @

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